Having an archive with close to 200 interviews without a single feature on Portugal’s Ironsword is a fucking tragedy. It must have been Tann himself who sent me the 1998 promo tape for a review in Scream Magazine more than 20 years ago, and even though I have loved all their album since the self titled debut, I believe this is the very first time I have spoken to the man who is certainly one of the best songwriters of the European heavy metal scene for the last two decades. “Servants Of Steel” is the title of the new album, and Tann is the man answering all the questions.
Being a bit too young to experience the release of Angel Witch’s self titled debut, the band’s material still made a huge impact on me when I bought the vinyl version of “Angel Witch Live” at my local store when it was released through Metal Blade back in February 1990. It might have been the mystical cover art that convinced me, I can’t recall having heard anything from the band, not even the song “Angel Witch”, but as I listened to the album, songs like “Angel Of Death”, “White Witch”, “Sorceress” and “Atlantis” to name only a few, really impressed me. In retrospect, these songs fueled my interest in NWOBHM and underground metal in general. When the opportunity arose to hear Kevin Heybourne’s thoughts on the band’s brand new, fifth studio album, as well as some topics from the past, I didn’t hesitate a second. Continue reading
With “The Reaper’s Spiral”, one of the strongest albums released in 2015, Terminus debuted with a bang. Packed with powerful epic metal, the album surprised a lot of people. In the wake of the album’s release, the band also built a reputation as a convincing live act, but something wasn’t quite right, and in October 2017, the news broke that the band had quit performing live. Continue reading
RAM from Gothenburg in Sweden is a band I have followed closely ever since the guys sent me their first EP for review back in 2003. When “Rod” was released in 2017, I spoke with gitarist Harry Granroth, but since I wasn’t fully satisfied with the end result, the interview was never published here at Metal Squadron. This time, I once again got on the phone with singer Oscar Carlquist, who I also spoke with when “Svbversvm” came out.
Whether you liked what Helvetet’s Port did in the past or not, chances are good you will agree that their new album, “From Life To Death” is a considerable improvement compared to their past works. We got in contact with singer Tomas aka Witchfinder to get an update on the band and some details on the new album. First, Tomas, Helvetets Port apparently was on hiatus from around 2012 until 2014, but why has it taken such a long time since you got active again to get this new album out?
Metal Squadron was one of the very first medias to feature Lunar Shadow when the band put out the EP “Triumphator. However, we never got around to do an interview when «Far From Light» was released, so let’s start there. How do Max, guitarist and main man, view this album today, a couple of years after its release?
Since we have covered almost everything there is to cover about the history of Ravensire before, let’s catch up with the happening after the release of “The Cycle Never Ends”. How would guitarist and main songwriter Nuno describe the reception this album got and how satisfied is he with the coverage the band got in the press and the opportunities to play live this album generated?
As documented very well on the recent, excellent compilation, “Trapped Under Ice”, the Canadian scene is really vital at the moment. While they’re not represented on that particular release, Smoulder is one of the bands leading the charge, catching many people’s attention with their “The Sword Woman”-demo, released on tape and as a 7″ vinyl through Hoove Child Records last year. With their first album out on Cruz Del Sur, wonderfully titled “Times Of Obscene Evil And Wild Daring”, pretty much the whole band gathered to answer Our questions.
The guys behind this constellation probably don’t need an introduction, after all we are speaking about a legendary vocalist whose voice graced three releases by Fates Warning during the eighties, as well as a guitarist who is still the brainchild of the same band. As I have had the opportunity to speak to John Arch before, and loved the last Fates Warning-album just as much as this new opus by Arch/Matheos, I said yes when the chance to chat with Jim Matheos appeared.
Sometimes it’s really fascinating how fast things are happening. Towards the end of the last month of 2018, the digital version of Sabïre’s debut mini album was published on Bandcamp. Since then, the band has established contact with labels who will make sure the musis is also available on all physical formats. A slot at this year’s edition of the prestigous Keep It True-festival was secured just a matter of days after the music was out there, and only a couple of days after this interview was done, further gigs in both Sweden and the UK were announced. Metal Squadron got in contact with Scarlett Monastyrski to get more information on the band. Continue reading
I never used the opportunity to speak with Witherfall in the wake of their self released debut album, “Nocturnes And Requiems”, neither did I bite when Century Media re-released the same product a bit later, but when the follow up, “A Prelude To Sorrow” was ready, in November last year, I finally got a chance to speak to the band. Usually it’s just one guy you get at the other end, but this time, both guitarist Jake Dreyer as well as singer Joseph Michaels contributed to this interview. Continue reading