When you listen to the band’s first demo and compare it to the new album, “Vessel” set to be released in January, it’s easy to hear that the band has improved massively over the course of four or five years. The band has a much stronger identity these days, and the songwriting is so improved that I sometimes have a hard time understanding we’re talking about the same band. Even though 2015 hasn’t started yet, I am pretty sure “Vessel” will end up in my top 15 when it’s time to make that list again in a year’s time.
Demon Bitch’ “Death Is Hanging…” must be one of the overlooked heavy metal releases of the year. I guess it has to do with the fact that it’s only available on tape so far. But come on, there must be others out there who love these songs as much as I do? It’s without a doubt one of the best things put out there this year, and Demon Bitch certainly deserves a lot more attention than they’re getting. As I couldn’t find a lot of information on the band on the internet, I once again took the matter into my own hands, and fortunately singer Logon and guitarist Mars put a lot of effort into answering my questions. Continue reading
– Very pleasant, warm and melodic doom in the vein of “Chapter VI”-era Candlemass
2. PORTRAIT “Crossroads” (Metal Blade)
– A bit more laidback and relaxed musically/vocally than the last one?
This interview with HOUR OF 13-singer Phil Swanson, was published in Norwegian when “333” was released on Earache during the summer. What is the status on your other band/projects at the moment? If I remember correctly, Vestal Claret was on ice for awhile, but now it seems like you have put Upwards of Endtime (which was the first Phil Swanson-band we featured with an interview in Scream) on hold. Is that right? Will you continue working with Seamount and Briton Rites as well? Continue reading